Movie Review

EXPECTATIONS Really, one doesn't have to think much before setting any expectations from the music of  Dabangg 2 . You know the genre it would belong to, the audience it would target, the winning formula it would try to replicate and the element of fun that would be at the core of it all. Just like one associates certain kind of music coming from the house of Bhatts, even Salman Khan and Sajid-Wajid combination carries its unique identity as well. As long as one gets that, rest assured the strong fan-base of Salman, which is especially strong in the interiors, is expected to be content. With  Dabangg 2  aiming at that very segment, you are pretty much sure about the brief that Arbaaz Khan must have given to Sajid-Wajid and lyricists Sameer, Jalees Sherwani, Ashraf Ali and Irfan Kamal.  MUSIC One can see that there is an obvious attempt by the makers to replicate musical situations from Dabangg  as-is in the film's sequel as well. They don't even attemp

LUCK may have loads of thrills, but director Soham Shah ensures that the grand canvas and stylised thrills appeal to every strata of movie-going audience. Only thing, had screenplay writers Soham Shah and Rensil D'Silva worked doubly hard to come up with a watertight script, it would've only worked wonders. What I liked about the movie: Sanju is perfect for this part and enacts it with natural ease. Actually, here's one role that only he could've portrayed so effectively. Imran is getting better with every film. Watch his helplessness at the start or his confidence when he takes to the stunts. Even towards the latter reels, he's very much in sync with his character. Shruti Haasan is a star, no two opinions on that. The confidence with which she carries off this role just cannot be overlooked. Ravi Kishan is another scene-stealer. You are under the impression that he may get lost in the crowd, but he stands tall. The masses will love him. Mithun Chakraborty is cont

Let's get one thing straight. This is a film about subverted heroes. People who need big money so desperately they are willing to participate in a crazy game of life and death orchestrated by a man who has turned betting on human beings into a galloping global industry. Sanjay Dutt strides across the wide screen and its accompanying pomp and paraphernalia with aplomb. He's accompanied by a cast that knows this film means macho business. However, the real heroes of this tale of perverse heroism are the action by Allan Amin, dialogues by Soham Shah, locations -- ranging from the super-rugged to the ultra-chic -- the thundering background score by Amar Mohile and the cinematography of Santosh Thundiyil. All these technical components enrich the experience of watching an extended video-game done at an adrenaline-defying speed. Publish Post So is "Luck" just a series of action sequences threaded together? To a large extent the skills that have gone into Shah's storyte

The only good thing about the entire movie was that I won a copy of Anees Bazmee's Welcome for being a good boy and filling a survey. You can imagine my plight that I have to become happy about winning a CD of another movie which was just as stupid, but not as retarded as Luck. Its only when the movie starts after Sanjay Dutt's awesome intro train scene, I realized that I should have left my brain at the security counter. Why you ask? Thats because your brain would be a highly dangerous object in the course of this largely predictable movie. We've seen enough brainless action thrillers, but nothing I assure you, falls so flat on its face. Though the effort taken to introduce a story line is appreciated, the way it is approached will cause nothing less than pain and anguish of the highest order. And though Shruti Hassan's presence on screen will please you, her accentuated and robotic dialogue delivery will only make you bang your he Publish Post ad on the seat ahead of

For starters, here are a few samples of what the writers of Luck probably think is outstanding dialogue: "Yeh khud khushi nahi, yeh khud ki khushi hai." "Kuchh cards aise hote hai jo khelne waalon ko hi pack kar dete hai." "Laxmi tujhe tika lagane aayi hai, aur tu Id ka chand bana hua hai?" "Kamaaya to juan, gavaaya toh maut ka kuan." ...And my personal favorite: "Tumhe paiso ki zaroorat hai, mujhe tujh jaiso ki zaroorat hai." Need I really say more? Luck's script (actually a slapdash mess that is just an apology of one) is generously laced with priceless gems like these, unintentionally hilarious 'punchlines' that masquerade as smart dialogue. Despite almost uniformly awful performances, I almost feel like handing out an award to the cast of Luck for actually managing to mouth such ridiculous inanities with a straight face and a laudable, even if failed attempt at seriousness. On second thought, though- it might also be bec

Movie Review: Sankat City; Star cast: Kay Kay Menon, Rimi Sen, Anupam Kher, Chunky Pandey, Yashpal Sharma and Dilip Prabhawalkar; Director: Pankaj Advani; Rating: ***1/2 - Go enjoy the ride. Guru (Kay Kay Menon) is a car thief whose partner in crime is a garage owner Ganpat (Dilip Prabhawalkar). Fouzdar (Kher), an underworld don sends his driver to deliver Rs. 1 crore cash to deliver it to filmmaker Gogi (Manoj Pahwa). But Guru ends up stealing this car and is over the moon on finding the cash bag inside. But before Guru could savor the money, he is caught by Fouzdar. When Fouzdar sends his henchman Lovely (Jehangir Khan) along with Guru to get back his money hidden in garage, Lovely unintentionally ends up hurting Ganpat’s head. Since Ganpat before that had hidden the money at a different place it gets crazier since Ganpat now has lost his memory with the assault on his head. Now Guru is given three days by Fouzdar to get back his money or else face death. Guru then chances upon his